Collection's Items (Sorted by Submit Date in Descending order): 1 to 20 of 26
| Issue Date | Title | Author(s) | Type | Access |
| 2023 | Expressividades: A Autenticidade Estética e as Formas Expressivas do Cinema | Branco, Sérgio | article | openAccess |
| 18-Apr-2023 | Observing gender in the newsroom: insights from an ethnographic study | Silveirinha, Maria João ; Lobo, Paula; Simões, R. B. | article | openAccess |
| 2023 | Autoria no Documentário: Um Panorama Contemporâneo | Branco, Sérgio Emanuel Dias ; Soares, Luísa Neves | article | openAccess |
| 2023 | O Filme-Ensaio: História e Teoria | Rodrigues, Júlia Vilhena; Branco, Sérgio Dias | article | openAccess |
| 2021 | Evaluation of the teachers’ digital competences in primary and secondary education in Portugal with DigCompEdu CheckIn in pandemic times | Dias-Trindade, Sara ; Moreira, José António; Ferreira, António Gomes | article | openAccess |
| 2022 | Religion and Film: Representation, Experience, Meaning | Branco, Sérgio Dias | article | openAccess |
| 2020 | Lessons from Outside the Classroom: Performance Pedagogies in Portugal, 1970-1980 | Madeira, Cláudia; Oliveira, Fernando Matos de | article | openAccess |
| Dec-2020 | Feeling It: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 2020 | Assim reza a encomenda: representações de Santiago na escultura portuguesa na Época Moderna | Saldanha, Sandra Costa ; Gonçalves, Carla Alexandra | article | openAccess |
| Jul-2017 | Joaquim José de Barros Laborão (1762-1820): o percurso de um escultor na transição de Setecentos | Saldanha, Sandra Costa | article | openAccess |
| Nov-2014 | Salvador Franco da Mota (1740-1771): de escultor a engenheiro, o percurso de um artista entre Mafra e o Rio de Janeiro | Saldanha, Sandra Costa | article | openAccess |
| 2020 | The Work of Cinematic Art: Art as Work and Work as Art | Branco, Sérgio Dias | article | openAccess |
| 2016 | The Law of Capital: “The Measure of a Man” | Branco, Sérgio Dias | article | openAccess |
| 2013 | Genesis: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 2015 | Cavell and History: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 2016 | Cavell and Literature: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 2017 | The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 2017 | The Past Tense of Our Selves: “Um Adeus Português” in 1980s Portugal | Branco, Sérgio Dias | article | openAccess |
| 2015 | Kino Kino Kino Kino Kino: Guy Maddin’s Cinema of Artifice | Branco, Sérgio Dias | article | openAccess |
| 2011 | “Au hasard Balthazar”: teologia e arte della presenza | Branco, Sérgio Dias | article | openAccess |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 20 of 26
