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| Issue Date | Title | Author(s) | Type | Access | |
|---|---|---|---|---|---|
| 1 | 2017 | The Past Tense of Our Selves: “Um Adeus Português” in 1980s Portugal | Branco, Sérgio Dias | article | openAccess |
| 2 | 2017 | Visualizar a Inferência: Motivos de Imagem nos Policiais Processuais da CBS | Branco, Sérgio Dias | bookPart | openAccess |
| 3 | 2017 | Morta por Dentro: Subjetividade e Alegoria em “The Addiction” | Branco, Sérgio Dias | article | openAccess |
| 4 | 2017 | The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 5 | 2017 | Editorial: (Re)Thinking Islamic Imagery | Branco, Sérgio Dias | article | openAccess |
| 6 | 2017 | “As Águas de Sua Mãe”: Líquida Força, Líquida Fragilidade | Branco, Sérgio Dias | bookPart | openAccess |
| 7 | 2017 | Cinema: Journal of Philosophy and the Moving Image 9, “Islam and Images” | Branco, Sérgio Dias ; Zeydabadi-Nejad, Saeed; Silveirinha Castello Branco, Patrícia | article | openAccess |
| 8 | 2017 | Conversations : The Journal of Cavellian Studies 5 | Branco, Sérgio Dias ; Khan, Amir | other | openAccess |
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