Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/95939
Title: Obras de arte na condição da pós-memória (conclusão)
Other Titles: Works of art and the condition of post-memory (conclusion)
Authors: Ribeiro, António Pinto 
Issue Date: 26-Dec-2020
Publisher: Memoirs, CES
Project: info:eu-repo/grantAgreement/EC/H2020/648624/EU 
Serial title, monograph or event: Memoirs Newsletter
Issue: 121
Place of publication or event: Coimbra
Abstract: O explorador Henri Morton Stanley, na sua obra In Darkest Africa (1890), relata um encontro com o rei Roumanika que, no seu palácio, o fez visitar uma das salas. Na verdade era um museu, e a sua descrição revela um acervo importante de objectos provenientes de várias regiões da sua nação, organizado de forma muito metódica.
In In Darkest Africa (1890) the explorer Henri Morton Stanley relates an encounter with King Roumanika. The king makes him visit one of the rooms in his palace. The room is, in fact, a museum. Its description reveals it to be an important archive of objects from various parts of Roumanika’s nation, organized in a very methodical way.
Description: MEMOIRS - Children of Empires and European Postmemories (648624)
URI: http://hdl.handle.net/10316/95939
ISSN: 2184-2566
Rights: openAccess
Appears in Collections:I&D CES - Memoirs Newsletter

Files in This Item:
File Description SizeFormat
MEMOIRS_newsletter_121_APR_pt.pdf578.88 kBAdobe PDFView/Open
MEMOIRS_newsletter_121_APR_en.pdf572.59 kBAdobe PDFView/Open
Show full item record

Page view(s)

8
checked on Nov 26, 2021

Download(s)

2
checked on Nov 26, 2021

Google ScholarTM

Check


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.