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https://hdl.handle.net/10316/20039
Title: | European Music After 1945 as a Restricted Space of Enunciation | Authors: | Vargas, António Pinho | Keywords: | Geoculture; Geopolitics; New music after 1945; Power; Location of culture | Issue Date: | May-2012 | Publisher: | SAGE | Citation: | VARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440 | Serial title, monograph or event: | SAGE Open | Abstract: | In this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe. | URI: | https://hdl.handle.net/10316/20039 | ISSN: | 2158-2440 | DOI: | 10.1177/2158244012446995 | Rights: | openAccess |
Appears in Collections: | I&D CES - Artigos em Revistas Internacionais |
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European Music After 1945.pdf | 290.04 kB | Adobe PDF | View/Open |
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