Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/20039
DC FieldValueLanguage
dc.contributor.authorVargas, António Pinho-
dc.date.accessioned2012-05-22T15:40:45Z-
dc.date.available2012-05-22T15:40:45Z-
dc.date.issued2012-05-
dc.identifier.citationVARGAS, António Pinho - European Music After 1945 as a Restricted Space of Enunciation. "SAGE Open" [Em linha]. (2012). [Consultado em Dia Mês e Ano]. Disponível em WWW:<http://hdl.handle.net/10316/20039>. ISSN 2158-2440-
dc.identifier.issn2158-2440-
dc.identifier.urihttps://hdl.handle.net/10316/20039-
dc.description.abstractIn this article, starting from the contributions of Pierre-Michel Menger and some sociological concepts of Boaventura de Sousa Santos and other postcolonial authors, the author proposes an analysis of the new musical structures created after 1945 in the new music field in Europe as a construction regulated and dominated by the core countries, critically seen from the vantage point of observation of a peripheral and subaltern country of Europe.por
dc.language.isoengpor
dc.publisherSAGEpor
dc.rightsopenAccesspor
dc.subjectGeoculturepor
dc.subjectGeopoliticspor
dc.subjectNew music after 1945por
dc.subjectPowerpor
dc.subjectLocation of culturepor
dc.titleEuropean Music After 1945 as a Restricted Space of Enunciationpor
dc.typearticle-
degois.publication.titleSAGE Openpor
dc.relation.publisherversionhttp://sgo.sagepub.com/content/early/2012/05/10/2158244012446995por
dc.peerreviewedYespor
dc.identifier.doi10.1177/2158244012446995-
item.openairetypearticle-
item.fulltextCom Texto completo-
item.languageiso639-1en-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
crisitem.author.deptFaculty of Sciences and Technology-
crisitem.author.parentdeptUniversity of Coimbra-
crisitem.author.researchunitMARE - Marine and Environmental Sciences Centre-
crisitem.author.orcid0000-0003-1720-2285-
Appears in Collections:I&D CES - Artigos em Revistas Internacionais
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