Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/89510
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dc.contributor.authorFerreira, Vítor-
dc.contributor.authorSantos, Tiago José Miranda-
dc.contributor.authorCosta, André-
dc.date.accessioned2020-06-17T17:23:12Z-
dc.date.available2020-06-17T17:23:12Z-
dc.date.issued2013-07-
dc.identifier.issn978-989-96858-3-3pt
dc.identifier.urihttps://hdl.handle.net/10316/89510-
dc.description.abstractPortuguese Cinema has established in the last years qualitatively as author’s film, where social and philosophical reflection has been its main trumps allied to astonishing technical qualities. Nethertheless its recognition and qualification, Portuguese Cinema has fewer audiences on the last years. Throughout the Instituto do Cinema e Audiovisual’s data we will confront it with artistic, philosophical, social and cultural perspectives where Cinema has established itself as immaterial heritage and national promotion agent. Film has also became, globally, part of territorial promotion though artistic, touristic and cultural vectors. We look forward through this analysis to identify which are the relations between Portuguese Film awards, its audiences and the populations’ review on film. We are looking to a social-cultural analysis to Portuguese Cinema audiences through tree distinct perspectives; artistic, visual cultures and heritage (cultural and material). Authors like Zygmunt Bauman, with the contemporary society’s characterisation as “liquid modernity”, or Gilles Lipovestsky, with “hypermodernity”, claim that economic activities new organisation methods, new concepts of production and commerce, of communicate and distribute goods have affected the way as they are perceived, assimilated and consumed. Are we, in the case of Portuguese Film, before that phenomenon? With an annual average of 16 million spectators, which films are consumed and which is the Portuguese Film representation?pt
dc.description.sponsorshipCentro de Estudos Cinematográficospt
dc.language.isoporpt
dc.publisherCineclube de Avancapt
dc.rightsopenAccesspt
dc.subjectcinema português, recepçãopt
dc.titleCinema Português 2004-2012 qualificação entre os números e as suas representações culturais e sociaispt
dc.typearticle-
degois.publication.firstPage882pt
degois.publication.lastPage889pt
degois.publication.locationAvancapt
degois.publication.titleAvanca Cinema 2013pt
dc.peerreviewedyespt
dc.date.embargo2013-07-01*
uc.date.periodoEmbargo0pt
item.grantfulltextopen-
item.fulltextCom Texto completo-
item.openairetypearticle-
item.languageiso639-1pt-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.cerifentitytypePublications-
crisitem.author.researchunitCLP - Centre of Portuguese Literature-
crisitem.author.orcid0000-0001-9983-0490-
Appears in Collections:UC Bibliotecas - Artigos em Revistas Nacionais
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