Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/48203
DC FieldValueLanguage
dc.contributor.authorSequeiros, Paula-
dc.contributor.authorSequeira, Luísa-
dc.date.accessioned2018-04-05T16:57:53Z-
dc.date.available2018-04-05T16:57:53Z-
dc.date.issued2017-
dc.identifier.issn1645-2089por
dc.identifier.issn2183-3575por
dc.identifier.urihttp://hdl.handle.net/10316/48203-
dc.description.abstractBárbara Virgínia was a forerunner film director in Portugal and the Festival de Cannes. Starting artistically as a diseuse and actress, she directed a feature film and a documentary in her youth, in 1946. Bárbara emigrated to Brazil in 1952 to work on radio and television, the country where she settled, formed a family, eventually abandoning the stages, and died in 2015. For this socio-biography, we collected and analysed public and private memory documents, a research interview and conversations with her family. To construct our analysis and strengthen a feminist perspective, we used Portuguese cinema’s History and memoirs. We both avoided mythologising and aimed at unveiling the patriarchal gaze which shapes some literature about Bárbara Virgínia. We built our questioning and analysis from Linda Alcoff’s and Teresa de Lauretis’s gender studies, from the sociology of culture by Pierre Bourdieu who Bev Skeggs borrowed for her intersection of class, gender and coloniality, alongside historical and social research about both countries’ context. The paper focuses on the artistic and familiar roles played by the filmmaker, and proposes an interpretation aimed to contribute to a fine knowledge about gender and class barriers to cultural and professional practices at that time, while it also discusses the erasure of memory about Barbara Virginia.por
dc.language.isoengpor
dc.publisherCECSpor
dc.rightsopenAccesspor
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/por
dc.subjectCinemapor
dc.subjectWomen directorspor
dc.subjectThe New State regimepor
dc.subjectPortugalpor
dc.titleForget Bárbara Virgínia? A forerunner filmmaker between Portugal and Brazilpor
dc.typearticle-
degois.publication.firstPage353por
degois.publication.lastPage374por
degois.publication.locationBragapor
degois.publication.titleComunicação e Sociedadepor
dc.relation.publisherversionhttp://dx.doi.org/10.17231/comsoc.32(2017).2766por
dc.peerreviewedyespor
dc.identifier.doi10.17231/comsoc.32(2017).2766por
degois.publication.volume32por
item.fulltextCom Texto completo-
item.grantfulltextopen-
item.languageiso639-1en-
crisitem.author.researchunitCES – Centre for Social Studies-
crisitem.author.parentresearchunitUniversity of Coimbra-
crisitem.author.orcid0000-0003-2069-5631-
Appears in Collections:I&D CES - Artigos em Revistas Nacionais
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