Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/34082
DC FieldValueLanguage
dc.contributor.authorGarraio, Júlia-
dc.date.accessioned2016-12-23T10:15:38Z-
dc.date.available2016-12-23T10:15:38Z-
dc.date.issued2016-
dc.identifier.issn2469-4800por
dc.identifier.urihttps://hdl.handle.net/10316/34082-
dc.description.abstractThis article examines how the image of the black woman from the countryside who moves to Luanda was developed at three key moments in Angolan literature as a means of constructing national identity. The analysis focuses on Nga Mutúri (1882), by Alfredo Troni ; “Linda,” a short story from A Casa da Mãezinha, by António Cardoso; and “Martinha,” a short story from Momento de Ilusão (2000), by Fragata de Morais.por
dc.language.isoengpor
dc.publisherAPSApor
dc.relationPTDC/CLE-LLI/122229/2010por
dc.relationFCOMP-0-0124-FEDER-019830-
dc.rightsopenAccesspor
dc.subjectAngolan literaturepor
dc.subjectAlfredo Tronipor
dc.subjectAntónio Cardosopor
dc.subjectFragata de Moraispor
dc.subjectGenderpor
dc.subjectLieux de mémoirepor
dc.titleA Body to Make Luanda: The Black Woman from the Countryside in Angolan Literaturepor
dc.typearticle-
degois.publication.firstPage177por
degois.publication.lastPage190por
degois.publication.issue1por
degois.publication.locationStanfordpor
degois.publication.titleJournal of Lusophone Studiespor
dc.relation.publisherversionhttps://jls.apsa.us/index.php/jls/article/view/36por
dc.peerreviewedyespor
dc.identifier.doi10.21471/jls.v1i1.36por
degois.publication.volume1por
uc.controloAutoridadeSim-
item.openairetypearticle-
item.fulltextCom Texto completo-
item.languageiso639-1en-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
crisitem.author.researchunitCES – Centre for Social Studies-
crisitem.author.parentresearchunitUniversity of Coimbra-
crisitem.author.orcid0000-0001-5342-8391-
Appears in Collections:I&D CES - Artigos em Revistas Internacionais
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