Please use this identifier to cite or link to this item: http://hdl.handle.net/10316/100595
DC FieldValueLanguage
dc.contributor.authorMarques, Diogo-
dc.date.accessioned2022-07-06T08:56:40Z-
dc.date.available2022-07-06T08:56:40Z-
dc.date.issued2022-
dc.identifier.issn2056-6700pt
dc.identifier.urihttp://hdl.handle.net/10316/100595-
dc.description.abstractFrom baroque proto-cybertexts to countercultural gestures by historical avant-gardes, there is a longstanding tradition of disruptive strategies used by artists at the interstices of societies’ demands for order, control, and functionalism. For the avant-gardes and their multiple artistic inf(l)ections, radical changes to the way sensory perception had come to be depicted since Modernism became a central part of their strategy. By placing an emphasis on the confluence between various arts and media, the innovative character of their proposals had much to do with the ways in which they were able to embrace notions that represented modernity, including concepts such as simultaneity, dynamics, motion, and the symbiosis between human and machine. In this manner, they sought to induce estrangement and defamiliarization by using seemingly functional mechanisms to raise awareness through the loss of grasp.pt
dc.language.isoengpt
dc.rightsopenAccesspt
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt
dc.title'Grasp All, Lose All': Raising Awareness Through Loss of Grasp in Seemingly Functional Interfacespt
dc.typearticle-
degois.publication.firstPage5pt
degois.publication.issue1pt
degois.publication.titleOpen Library of Humanitiespt
dc.peerreviewedyespt
dc.identifier.doi10.16995/olh.6393pt
degois.publication.volume8pt
dc.date.embargo2022-01-01*
uc.date.periodoEmbargo0pt
item.fulltextCom Texto completo-
item.grantfulltextopen-
item.languageiso639-1en-
Appears in Collections:FLUC Secção de Português - Artigos em Revistas Internacionais
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