Please use this identifier to cite or link to this item:
https://hdl.handle.net/10316/100260
Title: | Time, Art, and the Law: A Matter of Perspective. A Comment on Desmond Manderson's Danse Macabre. Temporalities of Law in the Visual Arts | Authors: | Branco, Patrícia | Keywords: | Law; Perspective; Life; Death | Issue Date: | 2020 | Publisher: | EUT Edizioni Università di Trieste | Serial title, monograph or event: | Etica & Politica / Ethics & Politics | Volume: | 22 | Issue: | 3 | Place of publication or event: | Trieste | Abstract: | In this brief comment, I will mainly engage with chapters three and six of Desmond Manderson’s Danse Macabre: Temporalities of Law in the Visual Arts. In his recent book, Manderson’s poignant argument resides in confronting colonial law’s structural violence, and how we need to contrast familiar tropes of colonial representation we have regrettably taken for granted. Art, in its various forms, is one way to do it, especially in these times of populist ideologies. | URI: | https://hdl.handle.net/10316/100260 | ISSN: | 1825-5167 | DOI: | 10.13137/1825-5167/31368 | Rights: | openAccess |
Appears in Collections: | I&D CES - Artigos em Revistas Internacionais |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Time art and the law.pdf | 109.36 kB | Adobe PDF | View/Open |
Page view(s)
145
checked on Oct 15, 2024
Download(s)
31
checked on Oct 15, 2024
Google ScholarTM
Check
Altmetric
Altmetric
This item is licensed under a Creative Commons License