Please use this identifier to cite or link to this item: https://hdl.handle.net/10316/32536
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dc.contributor.authorAdams, Jacqueline-
dc.date.accessioned2016-10-24T15:50:04Z-
dc.date.available2016-10-24T15:50:04Z-
dc.date.issued2009-11-
dc.identifier.citationOficina do CES. 331 (2009)-
dc.identifier.issn2182-7966-
dc.identifier.urihttps://hdl.handle.net/10316/32536-
dc.description.abstractForced migration is one of the most pressing issues of current and recent times. How refugees, one category of forced migrant, manage their condition of being unwillingly in a foreign land is a question that deserves further examination. This paper focuses on the Chilean exile during the Pinochet regime, and examines a dimension of their experience: their engagement with art from their home country. It explores the meanings that such art held for them, and the effects that the exiles attribute to their engagement with it.por
dc.language.isoengpor
dc.publisherCentro de Estudos Sociaispor
dc.rightsopenAccesspor
dc.subjectChilepor
dc.subjectMigrationpor
dc.subjectExilespor
dc.subjectPinochetpor
dc.subjectArtpor
dc.title"To Take with You a Little Piece of Chile": Exiles and Art from Homepor
dc.typeworkingPaperpor
degois.publication.firstPage1por
degois.publication.lastPage28por
degois.publication.locationCoimbrapor
degois.publication.titleOficina do CESpor
dc.peerreviewedYespor
degois.publication.volume331por
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypeworkingPaper-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextCom Texto completo-
item.languageiso639-1en-
Appears in Collections:I&D CES - Oficina do CES
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