| Issue Date | Title | Author(s) | Type | Access |
| 19-Jul-2018 | O realismo mágico no cinema - o caso de Veit Helmer | Almeida, Ricardo Ferreira de | masterThesis | openAccess |
| 2022 | Religion and Film: Representation, Experience, Meaning | Branco, Sérgio Dias | article | openAccess |
| 2023 | A Renovação na Europa de Leste | Branco, Sérgio | bookPart | openAccess |
| 2016 | O Rosto da Técnica: Walter Benjamin e a Arte Fotográfica | Branco, Sérgio Dias | bookPart | openAccess |
| 2010 | Sci-Fi Ghettos: “Battlestar Galactica” and Genre Aesthetics | Branco, Sérgio Dias | bookPart | openAccess |
| 2012 | Screened Signs of Grace: André Bazin’s “Cinema and Theology” and the Sacramental Facet of Film | Branco, Sérgio Dias | bookPart | openAccess |
| 2016 | Sembène, Ousmane (1923-2007) | Branco, Sérgio Dias | bookPart | openAccess |
| 11-Oct-2017 | Sé7ima Memória | Lopes, Cristina Batista | masterThesis | openAccess |
| Jan-2019 | “Séries de Televisão: Estética, Visionamento Atento e Escrita Crítica” | Branco, Sérgio Dias | article | openAccess |
| 3-Apr-2018 | Sério Fernandes e a escola que "não existe": contributo para uma reflexão sobre a escola do Porto | Lopes, Nuno Manuel Fortuna Malheiro | doctoralThesis | openAccess |
| 2013 | Situating Comedy: Duration and Inhabitation in Classical American Sitcoms | Branco, Sérgio Dias | bookPart | openAccess |
| 2020 | Spectres of Today: The Fractures of History in “Horse Money” (2014) | Branco, Sérgio Dias | article | openAccess |
| 2011 | Super Style: Notes for a Stylistic Analysis | Branco, Sérgio Dias | bookPart | openAccess |
| 2017 | The Aesthetics of Politics and the Politics of Aesthetics in and After Cavell: Editorial Comment | Branco, Sérgio Dias ; Khan, Amir | article | openAccess |
| 2019 | The Class of Images: Sketch for a Research Project | Branco, Sérgio Dias | bookPart | openAccess |
| 2016 | The Law of Capital: “The Measure of a Man” | Branco, Sérgio Dias | article | openAccess |
| 2008 | The Mosaic-Screen: Exploration and Definition | Branco, Sérgio Dias | article | openAccess |
| 2017 | The Past Tense of Our Selves: “Um Adeus Português” in 1980s Portugal | Branco, Sérgio Dias | article | openAccess |
| 2018 | The Urban and the Domestic: Spaces of American Film Noir | Branco, Sérgio Dias | bookPart | openAccess |
| 2020 | The Work of Cinematic Art: Art as Work and Work as Art | Branco, Sérgio Dias | article | openAccess |
