| Issue Date | Title | Author(s) | Type | Access |
| 2017 | Preface | Caldeira, Isabel ; Capinha, Graça ; Matos, Jacinta | other | openAccess |
| 2017 | Prefácio | Caldeira, Isabel ; Capinha, Graça ; Matos, Jacinta | other | openAccess |
| 24-Sep-2013 | Racial stereotypes in fictions of slavery: O escravo by José Evaristo d’Almeida and Uncle Tom’s Cabin by Harriet Stowe | Soares, Isanilda Conceiçao Ferreira Silva | masterThesis | openAccess |
| 2014 | Racismo e exclusão: o passado do futuro da sociedade americana | Caldeira, Isabel | bookPart | openAccess |
| Nov-2021 | Reinventar o social: movimentos e narrativas de resistência nas Américas | Caldeira, Isabel ; Canelo, Maria José ; Cholant, Gonçalo | book | openAccess |
| Dec-1982 | Salzburg Seminar: Literatura Americana Contemporânea | Caldeira, Maria Isabel | other | openAccess |
| 24-May-2019 | Since Why is Difficult: The Representation of Violence and Trauma in African-American and Afro-Caribbean Literature by Women: Autobiography, Fiction, and Subjectivity in the Bildungsroman | Cholant, Gonçalo Piolti | doctoralThesis | openAccess |
| 2017 | The edge of one of many circles: homenagem a Irene Ramalho Santos | Caldeira, Isabel ; Capinha, Graça ; Matos, Jacinta | book | openAccess |
| 2017 | The edge of one of many circles: homenagem a Irene Ramalho Santos | Caldeira, Isabel ; Capinha, Graça ; Matos, Jacinta | book | openAccess |
| 2011 | A ventriloquia de Maryse Condé atravessando o Manguezal de hibridismos e ambivalências | Cavagnoli, Ana Carolina Andrade Pessanha | masterThesis | openAccess |
| 2017 | What moves at the margin: as vozes insurretas de Toni Morrison, bell hooks e Ntozake Shange | Caldeira, Isabel | bookPart | openAccess |
| 17-Oct-2019 | "Who's got the Blues?" The Artistic Expression of African-Americans and Its Impact on Contemporary Popular Music | Nunes, Sílvia Isabel Simões | masterThesis | embargoedAccess |
